Please also read the Room Calibration sticky at the top of the forum, it very important and chock full of tremendously useful information. My average dialogue readings for feature films tend to be in the -28 to -31 range, but it depends on film to film, and I'm not studying meters as I mix. Right-click on the audio object and in the context menu that appears, select 'Normalize (maximum level)'. This ensures that clipping wont occur anywhere in the audio track. I know my preference for theatrical is to use very very light compression on my master DX stem, usually just to catch stray peaks or shave a decibel off the very top, but I use lots and lots of clip gain and fader riding on my tracks and busses to get my dialogue sitting where I want it to sit and tamed the way I want it to be tamed. Its usually best not to increase video volume manually, but to use the normalization feature. In a smaller room the monitor level is often set lower (85 can feel really loud in a small nearfield listening environment) to what is appropriate and translates well into a larger space, but the mixing is still done by ear and not by meter.Īs far as compression, each mixer is different. In a larger room or dub stage that monitor level is set to 85 and you mix the dialogue until it sounds right, not by looking at levels, and certainly not by using a leveler or a normalizer. For film, you don't mix to a certain level or meter reading, you calibrate your room and mix by ear. Should I always use the compressor in the film voice of each character? Even when he speaks softly or loudly? Or do I need to save the natural dynamics and use for example Izotope RX leveler? Thanks, TVPostSound! I like voice over in the
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